As a big fan of St. Aubyn’s five Patrick Melrose novels, I
wondered what else he’d written, so I picked up On The Edge (1998, in the
middle of the Melrose books). It’s a
comic novel of a young disenchanted Brit who is trying to track to a German
woman with whom he had a three-day love affair. His search lands him at a New Age institute at
Esalen. The satire of guru California
from the point of view of a staid Brit is funny and often telling, but here St.
Aubyn doesn’t achieve the same level of costly autobiographical insight that permeates the Melrose books. Rather
this is a more traditional comic satire.
In that I was a bit disappointed.
This passage sums up the Brit’s take on New Age America:
Peter wanted to ask Crystal to sit with him, but in the
communal dining room he felt the usual sense of personal and social meltdown
known locally as ‘lodge psychosis’. Instead of the sense of community it was
designed to promote, the lodge shipwrecked its occupants by presenting them
with a series of treacherous whirlpools and rock dilemmas. Acquaintances
imagined they were friends, friends turned into strangers, seminarians were
looked down on by residents, and residents exploited by staff, teachers
appeared to be available to students but were suddenly ringed by jealous lovers
and competitive sidekicks. Anyone at any time could come and ‘process an issue’
with you, however turgid or trivial, whether you could remember meeting them
before or not. The person to whom you told the secret of your mother’s mental
illness the night before might not remember your name by lunchtime the next
day. The permissiveness that made sex seem pleasingly inevitable made you
realize more sharply the internal constraints that prevented you from approaching
the object of desire, but the same permissiveness could not stop the bore you
most dreaded from bearing down on you with greedy tactlessness when you were
deeply engaged with someone else. Like the place as a whole, the lodge made a
partial transcendence of the formalities and hypocrisies of ordinary social
life, but at the same time generated a longing for the good manners and the
privacy which those formalities, until they became corrupted, were designed to
protect.
Or on a more positive note:
Esalen |
These Buddhists were certainly on to something. The
exhausting business of turning his colliding and scattered emotions into a
story about who he was was matched by the exhausting business of editing it
into a story he liked. The first thing he asked about a situations was whether
he liked it or not, and the next question was how it would ‘turn out’, which
meant whether he would like it or not later on.
The plot is thin and the characters shallow, but there’s fun to
be had. Peter does find the German woman
he was looking for, but when he does no longer desires her. He has been changed by his Esalen experience,
and at the end we have some hope that he will achieve better balance in his
life. Or maybe he’ll just careen in a
different direction next time.
I miss the bitterness and painful sincerity of the Melrose
books. I’ll have to reread them.
No comments:
Post a Comment