
Dubus’s writing is awfully good. The first story is the
strongest, and there are some truly haunting passages there. He describes a
failing marriage in great detail. The
searing hurt, the desire for retribution, the irrational hope, the failure to
understand what really happened, the misguided efforts to heal, it’s all there
to contemplate.
The last story is by far the longest, and while it has some
interesting elements, I’m not sure that it hangs together so well. The juxtaposition of an older generation’s
alcohol abuse with a younger generation’s internet use is interesting.
The middle stories are shorter and a bit less interesting.
The second is particularly limited, but the third has more substance. The
characters are in the process of learning about themselves, finding out who
they are and what really might work for them. Unfortunately they learn mostly
by making bad choices, and in the process they hurt themselves and others. But they do learn a little something about navigation along the way.
All four stories end in a kind of perfect balance. The main
characters are at a turning point where they have choices to make about how to
move forward. While for the most part we know that the outcome will have
significant downsides, and those choices might lead to disaster, but we know
the characters will try as best they can, then go on. No happy endings here, but there is some hope
for progress. And if the ending isn’t
pretty, there is plenty of emotional nourishment along the way.
Some of the complexity reminded me of McCann’s Let the Great
World Spin. Dubus lacks McCann’s
tremendous Irish generosity of spirit, but he does have a similar sensitivity
to human emotion and experience. The
human heart is on display here for all to marvel at. Oh, the messes we get ourselves in, the
pleasures we enjoy, the pain we endure. Dubus makes it all seem inevitable and
maybe even forgivable.
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