
But enduring literature?
I think not. The clock gets wound
very tight in interesting ways. The
first two-thirds of the book bubble along promisingly. The last third tries to deliver, but isn't quite up to the task. It’s a lot easier to get those lovers into
the grandfather clocks (an opera reference) than it is to get them out in a
convincing and satisfying way.
I’m not sure that we need worry about the particulars
here. She’s talented, but don’t expect a
consistently satisfying experience.
Have ya heard the one about the . . .
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