There’s narrative realism, and then there’s narrative
realism. John Irving has demonstrated
his mastery of plot and narrative technique for a long time now, and his latest
novel, “In One Person”, is the latest evidence of just how effortless he can make
it seem. But when it comes to the ‘realism’
part, well that’s another ‘story’.

That being said, this is a not-so-short novel that purports
to be traditional, narrative, and realistic, but is really (like other Irving
works) about ideas. The plot, the
characters, the setting are just vehicles for Irving to make his case. And make his case he does.
Not that there aren’t evocative and moving passages. The section which deals with the AIDS crisis
of the 80’s is incredibly moving, for example.
But there does seem to be something missing here. The central character never seems to be truly
and fully attached to anyone other than himself. There is a good deal of narcissism here, and
it does get a bit tiresome at times. As with some Dickens, I did get the sense that
all of this was contrived just to make the point.
[By the way, an important male character is named Kittredge. Any connection to Olive Kittredge of
Elizabeth Strout’s also-set-in-New England novel?]
What a movie this would make! It would almost have to be X-rated. That’s kinda the point. “Deep Throat”
“Deep Thoughts” I don’t think
this movie will ever be made.
If you’re an Irving fan, it’s a must read. But if you’re squeamish about sexual topics,
think twice. The Tea Party would not be
comfortable with this. My mother was a
very tolerant person, but I don’t think she could have handled this book. But it is John Irving, and there’s always
something to be learned from his books.
For me the more recent Irving novels haven’t regained the heights he
reached in “A Prayer for Owen Meany” (perhaps the best plot ever) and “Cider
House Rules”. But I’ll always read what
he writes. And I’ll read it with
gratitude and humility.
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